Lonely No More
The incredible eight-part full-cast audio drama written and created by Sebastian Baczkiewicz and directed by Jessica Dromgoole.
It’s just a message, right?
Daubed on walls, trending on socials, appearing in every language in every country all over the world and always reading the same. Nobody knows where it originated, only that it can’t be ignored. And then – in the blink of an eye – everything changes. Activated alien DNA, long buried within each and every one of us, transforms the majority of the human race. Cities are abandoned. Civilisation discarded. Suddenly, we’re not humans anymore, we’re… Lonely No More.
Or most of us are…
For those still unactivated and “lonely”, it’s now about learning to survive in the ruins of an unwanted and terrifying world.
See, the apocalypse isn’t coming, it’s already here.
LONELY NO MORE is an Audiama production recorded at BBC Cymru Wales.
• Executive Producer: Francis Hellyer
• Producers: Ed Perkins and Mali Harries
• Sound Design and Original Music: Jon Nicholls
• Studio Engineer: Cathy Robinson
• Production Co-ordinator: Mair Roberts
Starring:
Nikesh: Gavi Singh Chera
Nina: Olivia Vinall
Christina: Edita Sllamniku
Syed: Bhasker Patel
Xavi: Joe Thomas
Liv: Gwyneth Keyworth
Osmond: Matthew Gravelle
Taylor: Aimee Ffion Edwards
Benedetto: Patrick Kennedy
Urqhart: Michael Bertenshaw
Demelza: Saskia West
Lucette: Kimberley Nixon
Clifton: Luke Newberry
TLK: Matthew Tennyson
Freddy/Dr: Jonathan McGuiness
Haroun: Sid Sagar
Police: James Wilson
Sally/Police: Eiry Thomas
Zach: Gareth Pierce
Vinny: Nay Murphy
Hinata: Leo Wan
Various: Claire Cage
Various: Iestyn Jones
Additional vocals: Stephanie MacGaraidh
Special thanks: Royal Welsh College of Music and Drama
Lonely No More
Lonely No More: Episode 4: “The Shape of Things”
As Nikesh returns from Tokyo, unsettling discoveries await on all fronts. Nina is grappling with secrets from her harrowing work in A&E, while cryptic structures appear near the motorway crash site, drawing crowds and whispers of a global transformation. Haroun introduces Nikesh to Xavi Anderson, whose unsettling theories about Lonely No More and its connection to ancient symbols seem too bizarre to dismiss entirely.
Meanwhile, Nina finds herself pulled into an alarming new mystery involving Professor Urqhart and a rogue genetic sequence tied to the growing chaos. As revelations mount, the stakes escalate with a chilling twist—seven astronauts aboard the space station make an unfathomable decision, leaving humanity to wonder if the transformation is far greater than anyone imagined.
© 2024 Audiama Productions Limited. All rights reserved.
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LONELY NO MORE
by SEBASTIAN BACZKIEWICZ
EPISODE 4
SCENE 1 INT. NINA AND NIKESH’S FLAT
SFX NINA AND LIV ARE IN THE FLAT. NINA IS CHOPPING SOME ONIONS FOR A CHILLI
1. NINA Going on? What do you mean going on?
2. LIV How many messages did I leave you, Nina? Hundreds.
3. NINA Not hundreds.
4. LIV Hundreds and hundreds
5. NINA Everything’s been a bit hairy with work demands these last couple of days.
6. LIV Hairy? What does hairy mean?
7. NINA Hairy means hairy, Liv.
8. LIV And that’s why you’ve been ignoring your calls?
9. NINA Ow, my eyes.
10. LIV Want some kitchen towel?
11. NINA Thanks.
SFX LIV PASSES A SHEET AND NINA DABS HER EYES
12. LIV Those onions, eh?
13. NINA Pretty potent.
NINA FIGHTS BACK SUDDEN TEARS
14. LIV Nina?
15. NINA Ignore me. It’s nothing.
16. LIV Doesn’t look like nothing.
17. NINA I’m all good. All good.
18. LIV You sure?
19. NINA Positive. The last few days have been. Sorry.
NINA SHAKES IT OUT
20. LIV So - these work demands?
21. NINA Huh?
22. LIV Were what?
23. NINA Were confidential, Liv. Top secret.
24. LIV What’s top secret in A and E? Was this to do with the motorway thing?
25. NINA If it’s all the same to you, I’d sooner not ( - talk about it)
SFX SUDDEN FLASHBACK TO THE LAB/AUTOPSY (HAZEL HILL)
26. URQHART … if you can raise the scapula, there. Look at that.
27. NINA Good god.
28. URQHART The same in all three.
29. LIV Oh, Nina I’m sorry. I’m so sorry. This Lucette stuff is just so, so.
30. NINA Plus there’s all this business with Niko getting delayed in Tokyo.
31. LIV From whence he should be returning right about now.
SCENE 2 INT. HEATHROW AIRPORT
SFX AIRPORT ANNOS ETC. NIKESH WEARILY DRAGS HIS SUITCASE BEHIND HIM. TAYLOR APPROACHES
32. TAYLOR Nikesh?
33. NIKESH Tinker Taylor. Here to take me in for questioning?
34. TAYLOR Here to welcome you home.
35. NIKESH That’s appreciated. Least you’re not breaking into my apartment to half finish your sushi.
36. TAYLOR How was your flight?
37. NIKESH Long. Very long
38. TAYLOR Didn’t talk to any strangers then?
39. NIKESH No, and thanks for delivering Nina back from wherever it was you took her. Much appreciated.
40. TAYLOR And we’re grateful for your discretion. Strange the way that Japanese flight crew just disappeared, isn’t it? Lonely No More.
41. NIKESH What?
42. TAYLOR Good to have you home, Nikesh. Bought you a coffee?
SFX TAYLOR HANDS NIKESH A COFFEE
43. NIKESH Thanks.
44. TAYLOR Be sure and get some shut eye won’t you? Big week coming up. The wedding. You’ll both need your beauty sleep.
SFX TAYLOR WALKS OFF. NIKESH DROPS THE COFFEE IN A WASTE BAG WITH A FLIP LID
45. NIKESH Big week coming up.
SCENE 3 INT. NINA’S FLAT
46. LIV Thing I really don’t get, Nina is why you gave your phone to Nikesh?
47. NINA He had it for safekeeping.
48. LIV You couldn’t take your phone to work?
49. NINA I would have if I could have.
50. LIV Then someone stopped you?
51. NINA Enough Liv, please.
52. LIV I’d better be going.
BEAT
Threes. It’s always threes.
53. NINA What?
54. LIV Is that not how the crap customarily arrives? First it’s Lucette, then you go ahead and join her in completely disappearing off the face of the earth, and now, Mao Tse Fucker Lane King arbitrarily decides to alter the parameters of the Lonely No More campaign.
55. NINA You know you’re welcome to stay for food.
56. LIV But this is your welcome home meal.
57. NINA And you’re welcome to share it.
58. LIV Odd thing is I have this feeling – this deep down good feeling - that Lucette’s OK. That nothing bad has happened. Course I know I shouldn’t have told the Po-Po that cos they lost all interest soon as I said it, but I do.
59. NINA That’s good, isn’t it?
60. LIV Remember when she did this before, at New Year? Remember how she rang the next evening? Said she was fine and that I wasn’t to worry.
61. NINA I do.
62. LIV But this time, this time it’s four days and nothing. Absolutely nothing. Not to me. Not her mum and dad. And her phone. So I don’t know. I just don’t know what to do aside from letting it drive me out of my tiny little. You don’t have any wine do you?
63. NINA Uh, yeh
64. LIV Great. I’ll get the glasses.
65. NINA Just the one for you.
66. LIV Huh?
67. NINA Yeh. I’m pregnant.
68. LIV Excuse me?
69. NINA I’m pregnant.
70. LIV You’re? Did you tell Lucette?
71. NINA A week ago.
72. LIV Well, now that explains it. That explains everything doesn’t it?
73. NINA And you’re the second person to know.
74. LIV And Niko?
75. NINA It’s going to be my wedding gift to him. And it’s a lot, isn’t it?
76. LIV So, Niko has no idea you’re?
77. NINA Nope. And I‘d like to keep it that way.
78. LIV Sure?
79. NINA I’m sure.
80. LIV OK.
81. NINA Promise.
82. LIV Promise. (TINY BEAT) You think his plane’s touched down yet?
83. NINA Haroun’s gone to meet him.
84. LIV Right. Right. (TINY BEAT) You’re actually pregnant?
SCENE 4 EXT. THE AIRPORT
SFX AIRPORT ANNO IN THE BACKGROUND AS NIKESH WHEELS HIS SUITCASE OUT OF THE AIRPORT DOORS AND ONTO THE FORECOURT, HAROUN WHISTLES
85. HAROUN Hey Niko.
86. NIKESH Haroun.
87. HAROUN Welcome home. Missed me?
88. NIKESH Good to see you.
THEY EMBRACE
89. NIKESH You Ok?
90. HAROUN I’m one hundred percent, Niko. Just like dad.
91. NIKESH You spoke to dad? He’s not in London already?
92. HAROUN Flying in from Mumbai next week. Says he can’t wait to see us all at the wedding. Which is insane right? Seeing how not ten days ago he’s knock knock knocking at heaven’s door.
93. NIKESH You think we could just get to the car, Haroun?
94. HAROUN It’s the shop van.
95. NIKESH Either way is fine by me.
96. HAROUN What I’m here for my brother.
SCENE 5 INT. THE FLAT
SFX NINA OPENS A BOTTLE OF WINE
97. NINA I’ll risk a little glass.
98. LIV You know you might have told me you’d told her sooner, Nina.
NINA SNIFFS THE BOTTLE
99. NINA Hope this red’s all right. Should be all right.
SFX NINA POURS TWO GLASSES
100. LIV Can’t say I’m that surprised though. No keeping secrets. Not from Lucette.
101. NINA Soon as she had a smell of it there was no keeping it hidden. Here you go.
SFX NINA GIVES A GLASS TO LIV WHO TAKES I T
102. LIV Congratulations to you both. Really.
103. NINA Our secret though.
104. LIV Our secret absolutely. Cheers
105. NINA Cheers.
SFX THEY CLINK GLASSES
106. NINA I do feel guilty.
107. LIV Guilty?
108. NINA After everything, What you both went through.
109. LIV Some things just aren’t meant to be are they? No matter how many times you. And if I’m completely honest I was kind of OK with us not getting. Is it wrong to think that? I think it’s wrong.
110. NINA Liv.
111. LIV I mean I’m not saying I didn’t want kids. I’m not saying that. And I know Lucette wanted us to be parents, so, so badly, but, but when you look at it. When you really look out at this totally fucked up world. Well, it makes you wonder what sort of an actual world this is for a child to grow up in doesn’t it?
112. NINA I guess. I don’t know.
TINY BEAT
113. LIV Oh, Nina, I’m so sorry, I shouldn’t have said any of. I’m just. I’m just so.
TINY BEAT
114. NINA Come here.
THEY EMBRACE
115. LIV Only wish you’d mentioned it to me a little sooner than you did. It mightn’t have been such a shock to poor Lucette. You know how she is, how sensitive she can be.
116. NINA You know it really won’t be any kind of a problem if you feel you can’t make the rehearsal or even the.
117. LIV You think I’m going to miss your wedding rehearsal? I’m the chuffing maid of honour, Nina.
118. NINA Yes you chuffing are.
119. LIV And someone’s got to look out for your mum.
120. NINA Especially when it comes to keeping her away from Niko’s dad.
121. LIV Syed’s coming?
122. NINA So it would seem.
123. LIV You’re kidding.
124. NINA If only I were.
125. LIV But I thought he had some sort of terminal heart disease.
126. NINA And until last week so did I.
127. LIV So what happened last week?
128. NINA Syed got better.
SCENE 6 INT. THE CAR
HAROUN IS DRIVING AND SMOKING
129. HAROUN You my man have had quite the adventure.
130. NIKESH That’s one word for it. Do you have to smoke that in the car?
131. HAROUN Window’s down.
132. NIKESH Still stinks doesn’t it?
133. HAROUN My car. My rules, bro.
134. NIKESH Then let me out.
135. HAROUN Don’t be an idiot.
136. NIKESH Throw it out the window or stop the car, Haroun. Your choice. I’m serious.
137. HAROUN For goodness’ sake. There. Gone.
SFX HAROUN CHUCKS THE CIGARETTE OUT OF THE WINDOW
138. HAROUN Happy?
139. NIKESH Bet you don’t smoke when you’re driving your pets about.
140. HAROUN Our animals usually stay in the shop.
141. NIKESH So what’s the van for?
142. HAROUN Deliveries.
143. NIKESH Of pets?
144. HAROUN When necessary? So what’s he like?
145. NIKESH What’s who like?
146. HAROUN Tucker Lane King?
147. NIKESH Loves his pets. Poor taste in clothes.
148. HAROUN Billionaires, eh?
149. NIKESH Can you please watch the road please?
150. HAROUN S’pose its inevitable when you get to that level of wealth.
151. NIKESH He’s a garden variety megalomaniac.
152. HAROUN A garden variety megalomaniac. Listen to you.
153. NIKESH I’d really like to get home in one piece.
154. HAROUN Sure, sure. Crazy though.
155. NIKESH What is?
156. HAROUN The plane driving into the sea?
157. NIKESH It was pretty wild.
158. HAROUN And you there to witness it.
159. NIKESH Me and two hundred other people.
160. HAROUN But it’s like a habit with you, isn’t it? London, Tokyo.
161. NIKESH Haroun.
162. HAROUN Then you don’t think the two things are connected? The people jumping and the flight crew disappearing.
163. NIKESH Not getting into it, Haroun.
165. HAROUN You may not be able to see what’s going on my brother, but I do.
165. NIKESH Because there’s nothing going on.
166. HAROUN So, as usual you want to shut me up.
167. NIKESH I didn’t say that.
168. HAROUN You didn’t need to.
TINY BEAT
169. HAROUN And to think it was right here on this very motorway that it happened. The jumpers.
170. NIKESH Please stop calling them that. They were people.
171. HAROUN Yeh, they were people who jumped from the flyover all the way up there slap bang into moving traffic down here. And now you’re telling me that you don’t see any kind of connection between that and a Japanese flight crew allowing a jet to crash off its runway into the sea. You’re not going to admit at least the possibility?
172. NIKESH No, because for the gazillionth time I don’t subscribe to this bullshit end of the world conspiracy theory that you and that false prophet of yours propound. I do not.
173. HAROUN Please don’t talk about Mr. Anderson disrespectfully.
174. NIKESH Then what was all that crazy men of the Nephilim stuff he was coming out with on the radio last week?
175. HAROUN OK Mr. Huge Hairy Sceptic-les - Lonely No More. How do you account for Lonely No More being all over everywhere?
176. NIKESH Again, I’m not getting into this.
177. HAROUN You don’t think – you don’t think for just a second - that that phrase mysteriously appearing on every website and street corner of the world at the same time as all this weird stuff happening is not a little bit more than a coincidence?
178. NIKESH Did you not hear what I said. I’m not getting into it.
179. HAROUN Chicken?
180. NIKESH Fuck’s sake Haroun.
181. HAROUN Right – here we are.
SFX HAROUN PULLS OVER
182. NIKESH What do you mean here we are. Why are we pulling over?
SCENE 7 INT. THE FLAT
SFX THE TOILET FLUSHES. LIV HELPS NINA GET TO HER FEET
183. NINA I’m so sorry, Liv. I really am.
184. LIV But you barely had a sip of wine.
LIV GETS OUT HER PHONE
185. NINA What are you doing, Liv?
186. LIV Calling Nikesh.
187. NINA No, Liv. Please. I’ll be fine. Five minute lie down and I’ll be fine.
188. LIV Then at least let me call a doctor.
189. NINA I am a doctor. And I know I’ll be A-Ok in five. It’s nothing.
SFX NINA’S PHONE GOES OFF (TEXT PING)
190. LIV Is that you or me?
191. NINA It’s me.
192. LIV Tell me it’s Niko?
193. NINA (LYING) Ah, yeh. Yes it is. (LOOKING AT PHONE) Right. I may need to go out for a little while.
194. LIV Thought you were taking a rest?
195. NINA It’s annoying but, but I just remembered I have to pick up something from our Parcel locker.
196. LIV Can I go?
197. NINA Quicker if I do it.
198. LIV Nina?
199. NINA Yes, Liv.
200. LIV Not Clifton is it?
201. NINA Clifton?
202. LIV Your idiot ex.
203. NINA I know who Clifton is.
204. LIV Nikesh said something about him sending you loads of texts.
205. NINA Bloody Clifton.
SFX NINA GOES AND GETS HER COAT
206. LIV Was it work?
207. NINA Just forgot to pick up a parcel.
208. LIV Only that’s totally not true is it?
209. NINA I’ll be an hour tops, Liv.
210. LIV Was it Lucette? You’d tell me if it was Lucette?
211. NINA Oh No, Liv. No, it wasn’t Lucette. It’s just work.
212. LIV So, you are going into work?
213. NINA I’ll be back in no time. No time at all. You’ll wait here for Niko won’t you?
214. LIV Wherever he do be.
SCENE 8 EXT. THE ROUNDABOUT
SFX NIKESH AND HAROUN ARE WALKING ALONGSIDE THE MOTORWAY
215. HAROUN Just a little bit further.
216. NIKESH Further where, Haroun? Swear to God I’m this close to just walking up the road and getting a train.
217. HAROUN In front of you. On the roundabout. See?
218. NIKESH Did you put that there?
219. HAROUN Me? No.
220. NIKESH Then who did?
221. HAROUN I don’t know. But a structure like that. It’s hard to miss.
222. NIKESH And the shape?
223. HAROUN What about the shape?
224. NIKESH Where did you get it from?
225. HAROUN I’m telling you bro, it’s nothing to do with me.
226. NIKESH And you’d swear to that?
227. HAROUN Sure.
AS THEY ARRIVE AT THE STRUCTURE, THE SOUND OF THE CROWD HUMMING BECOMES CLEARER ABOVE THE TRAFFIC
228. NIKESH And these people? What are all these people doing here?
229. HAROUN A beautiful structure like this deserves all the attention and respect it can get. Especially as it’s constructed not twenty metres from where the jumpers jumped.
230. NIKESH So it’s what? A sort of shrine?
231. HAROUN The flowers and photos are all further down where the actual fatalities occurred. No, my brother, this is something else. This is a sign. No more. No less.
232. NIKESH And what are they all humming for?
233. XAVI Out of respect.
234. NIKESH Out of…? Respect for what?
235. XAVI You either feel it or you don’t. And clearly… you don’t.
236. NIKESH And who was it wrote Lonely No More on the side of it? One of these humming pals of yours.
237. HAROUN (CALLS) Mr. Anderson.
238. XAVI (APPR) There you are, Haroun. Here at last. Good to see you again, Nikesh.
239. NIKESH Here at last?
240. XAVI Not as if we’re being pitted against each other live on national radio is it?
241. NIKESH Did you set this up, Haroun?
242. HAROUN All we ask is you hear us out.
243. NIKESH All we ask?
SCENE 9 INT. THE FLAT
LIV IS ON THE PHONE TO FREDDY
244. FREDDY (OTHER END OF PHONE THROUGHOUT SCENE) But you’re there, Liv? You’re there at Nikesh’s place right now?
245. LIV I am Freddy, yes.
246. FREDDY And Nikesh isn’t back yet?
247. LIV Maybe there was some sort of a delay at Heathrow?
248. FREDDY Well, I spoke at length to Jimmy Osmond -
249. LIV And I hope he apologised for the complete fuck-agami he proceeded to make of all our agreed schedules?
250. FREDDY No. But I apologised, again, for switching personnel at such short notice.
251. LIV Right.
252. FREDDY He said Tucker has tweaks he wants made to the campaign.
253. LIV Tweaks.
254. FREDDY GGC really can’t afford to fuck up this account. And according to Little Jimmy, Nikesh not only argued with Tucker but with Zane Benedetto. Zane three Oscars Benedetto.
255. LIV Who was suddenly sprung upon us along with moving the shoot to Tokyo.
256. FREDDY Which is all good as I’m sure you agree? Especially as it’s us he wants to work with us on beefing up the campaign.
257. LIV Genuinely think we should hold back on any decision making regarding the campaign until we get a proper chance to fully ascertain precisely what went down over there.
258. FREDDY With you in an hour.
SCENE 10 EXT. REGENTS PARK
SFX DISTANT MUSIC FROM A SHOW. URQUHART SITS ON A BENCH. HE SEES NINA AND WAVES
259. URQHART Nina!
260. NINA (APPR.) Hi. Hi, Professor.
261. URQHART Apologies if I alarmed. Truly.
262. NINA Not sure I covered my tracks very well.
263. URQHART And I’m not sure inviting you to meet me in Regents Park was a particularly subtle move on my part.
237. NINA Well, here I am.
238. URQHART Here you are.
SCENE 11 EXT. THE ROUNDABOUT
SFX A LOW HUMMING FROM THE GATHERED PEOPLE AROUND THE STRUCTURE
239. NIKESH Don’t tell me to calm down, Haroun, because I am. I am calm.
240. HAROUN Ya don’t seem it. He doesn’t seem it does he, Mr Anderson?
241. XAVI I see how strange this all might seem to you. I do.
242. NIKESH Oh, you do, do you?
243. XAVI And all any of us want is to understand the truth of what’s actually going on in the world right now.
244. NIKESH The truth. There is no truth.
245. XAVI Perhaps none that’s apparent to you.
246. NIKESH (BEAT) I’m sorry Haroun but I consider this gentleman a reckless fraud.
247. HAROUN Because Xavi sees the world differently to you?
248. NIKESH Because he’s a scaremonger.
XAVI LAUGHS
249. HAROUN Please, don’t talk to Mr Anderson like that.
250. XAVI Best we allow your brother to express his truth in any which way he sees fit.
251. NIKESH And, and just because he dresses up all his dark conspiracy bullshit with a bunch of pretty bows and ribbons doesn’t stop it being bullshit.
252. HAROUN Why are you so totally closed to it, bro? To at least the possibility.
253. NIKESH I’m serious. He’s unhinged.
254. XAVI I can see why me being some unhinged and crazy fraud would make me a much more convenient target to strike out at, but I have to respectfully tell you Nikesh – the change is not a - gonna come - the change has very much come.
255. NIKESH This is abduction. You’ve abducted me. You see that don’t you?
256. XAVI It’s absolutely nothing of the sort.
257. NIKESH An ambush then.
258. HAROUN You’re making way more of this than you need to.
259. NIKESH Oh, I am, am I?
260. HAROUN Yes you are, bro.
261. NIKESH OK. OK. You and your mate here win, Haroun. Have it your way. Glad that you and Xavi, and all these hummy dummy people, have built your very own mud and rag structure to read whatever paranoid end of the world conspiracy theory you like into. But this is as far as it goes for me: mission accomplished. Thank you.
NIKESH TRIES TO WALK AWAY AND IS BLOCKED BY XAVI
262. XAVI He transformed didn’t he? The man your fiancée attended to. The man who jumped.
263. NIKESH Oh my God you just don’t (-give up do you?)
264. XAVI The taxi driver testified that the jumper seemed to be experiencing a change to his physiognomy, but I think your fiancée witnessed something even more disturbing and profound.
265. NIKESH My fiancée was trying to save his life.
266. XAVI Then what did she say to the security services when they arrived at the scene? We have the footage, Nikesh.
And there they are. Clear as day. Talking to your Nina.
267. NIKESH There are no security services involved.
268. HAROUN But you recognise it don’t you? You recognise this shape. You’ve seen it before, haven’t you?
269. NIKESH And who’s to say you and Xavi didn’t build this horrible thing last night?
270. XAVI Because we know we didn’t.
271. NIKESH Then you know who did?
272. XAVI They that are no longer lonely.
273. NIKESH They that are Lonely No More?
274. XAVI Precisely so.
275. NIKESH That’s it, Haroun. That’s fucking it. I’m going.
276. XAVI Where?
277. NIKESH Home.
SFX NIKESH STRIDES OFF UP THE ROAD
278. XAVI (CALLING AFTER HIM) You know the final transformation has already commenced. Complete assimilation. I know you know that, Nikesh. And what’s more I think your friend Tucker Lane King knows that too.
SFX A POLICE CAR WAILS UP
279. POLICEMAN (off) What the hell’s going on here?
280. XAVI Good evening officer.
281. POLICEMAN (off) You speak for these people, sir?
282. XAVI I do, officer.
283. POLICEMAN (off) Then perhaps you’d instruct them all to disperse. This area’s taped off until further notice.
284. XAVI I’m sorry to say we’re not going anywhere.
285. POLICEMAN Excuse me?
286. XAVI We have every right to be here.
287. POLICEMAN And I just told you this is now a restricted area.
SFX SOMEONE THROWS A ROCK AT THE POLICEMAN.
288. POLICEMAN Who threw that rock?
289. XAVI What rock?
290. POLICEMAN All right, that’s it. You’re under arrest.
291. NIKESH (OFF) Haroun! Haroun!
SFX MORE STONES ARE THROWN. THE POLICE DUCK FOR COVER
292. POLICEMAN (on radio) Back up required urgently. Over. Urgent back up required we have an ongoing incident.
SCENE 12 EXT REGENTS PARK
SFX NINA AND URQUHART ARE AS BEFORE. NINA LOOKS AT AN IMAGE ON URQHART’S I-PAD
293. NINA I see it, Professor but I’m not sure I know what I’m looking at.
294. URQHART It appeared suddenly on the South Downs last night. The image is a bit blurry I grant you. But it’s most definitely a man-made structure. And it’s very far from being the only one. Look again at its shape.
295. NINA Wow.
296. URQHART Indeed, wow. Wow, indeed.
297. NINA Karyotype 30.
298. URQHART Precisely the same shape as the rogue chromosome sequence we discovered during the autopsy of Mr. Lakeland and those other poor unfortunates who leapt to their deaths.
299. NINA But how can that possibly be?
300. URQHART I don’t know. Maybe it’s a coincidence. Maybe it’s just a thing like this Lonely No More phenomenon is just a thing. Who knows? But the structures are not why I invited you to join me.
301. NINA If this is about me returning with you to the Hazel Hill facility I can’t – I just can’t - vanish for another four days.
302. URQHART Oh, they’re not asking you to. But I’m grateful. I’m extremely grateful you reached out to me when you did.
303. NINA Because you’re the man. And I’d never seen anything quite like it, professor. The autopsy.
304. URQHART And neither have I. It is without doubt the most astonishing discovery I’ve made in over forty years in the field. But what we have to do now is respect the enormous sensitivity and secrecy of what we’ve both witnessed since arriving at Hazel Hill.
305. NINA Believe me, Professor Urqhart I appreciate how important it is to avoid any kind of mass hysteria. Inert DNA suddenly activating is not exactly one for the faint of heart.
306. URQHART Even if quite astounding.
307. NINA That’s one word for it.
SFX URQHART OFFERS HER A DRINK FROM HIS FLASK
308. URQHART Whisky? Just from the flask I’m afraid.
309. NINA Best not but thank you.
310. URQHART And, now, just as suddenly – some good news.
311. NINA Which is?
312. URQHART The protein which appears to have stimulated the K30 chromosome has not only been identified but isolated.
313. NINA You’re kidding?
314. URQHART No. Laboratory testing suggests we have the potential to completely deactivate it.
315. NINA Forever?
316. URQHART Nothing is ever forever, Nina but certainly for the foreseeable.
317. NINA That’s great news. That’s amazing. Given your grave concerns at Hazel Hill.
318. URQHART The W.H.O have approved our findings
319. NINA Wow! They don’t waste any time, do they?
320. URQHART They act quickly when they have to. And a simple supplement is about to go into mass production. If we act with sufficient urgency and efficiency K30 will be safely returned to its ancient slumbers. And you, Nina have helped us to achieve it.
321. NINA Everything back to normal then?
322. URQHART Like it never happened. Which, for everyone on the planet’s sake, I can’t stress enough, it didn’t.
323. NINA No.
URQHART RISES
324. URQHART It was a genuine pleasure Doctor Markovic. And I thank you again.
325. NINA Likewise Professor Urqhart.
326. URQHART And good luck for next week.
327. NINA Sorry?
328. URQHART Your wedding.
329. NINA Huh? Oh. Yes.
330. URQHART He’s a lucky chap your chap. Yes he is. A very lucky chap indeed.
SFX URQHART WALKS AWAY WHISTLING I’M GETTING MARRIED IN THE MORNING
SCENE 13 INT. NINA AND NIKESH’ FLAT
331. NIKESH A parcel? Nina went to pick up a parcel?
332. LIV And she asked me to wait here until you returned from the airport.
333. NIKESH Did she say what the parcel was?
334. FREDDY Any chance we could veer back to Tucker Lane King?
335. LIV Sorry, Freddy.
336. FREDDY So – thoughts Nikesh. Impressions. Because nothing – literally nothing - Tucker is saying about the Lonely No More campaign is making any kind of sense to me.
337. NIKESH Because it’s nonsensical and insane. Tucker wants to rebrand every single one of his wide portfolio of products as a Lonely No More product. Lonely No More computers. Lonely No More electric cars. Lonely No More everything.
338. LIV Which upends literally all our work.
339. NIKESH Zane Benedetto and Tucker Lane King both consider Lonely No More to be a prophecy.
340. LIV Of what?
341. NIKESH Of the rise of the Nephilim.
342. FREDDY Of the who now?
343. NIKESH The men of renown. Divine beings said to have mated with human women thousands and thousands of years ago, and created a race of angels.
344. FREDDY You’re fucking shitting me.
345. LIV Exactly.
346. NIKESH If only I were, Freddy. Now, I don’t know any more than you do as to what the phenomenon of Lonely No More is, or what it means, or why it’s taken hold the way it has. But what I do know is that what Tucker Lane King wants is not only crackers…
347. LIV Crackers?
348. NIKESH It’s also literally impossible for us to achieve.
349. FREDDY I sent you to Tokyo to firm up the campaign strategy not blow the bloody doors off.
350. NIKESH But this is not the campaign strategy we agreed.
351. LIV Nikesh is right, Freddy. And you know it.
352. FREDDY So what do you say we do now?
353. NIKESH Honestly?
354. FREDDY Am I supposed to answer that.
355. NIKESH I say we dump the whole campaign and move on.
356. FREDDY Dump Tucker Lane King?
357. NIKESH TLK’S dead set on transforming their business empire into a global laughing stock – and us with it.
358. FREDDY Dumping the Lonely No More account would be pretty much the same as dumping Grainger Grant and Colby.
359. NIKESH We go ahead with this, I believe we’re ruined anyway.
SCENE 14 INT. THE APARTMENT. LATER
NIKESH AND NINA ARE IN BED
360. NINA And after that they left?
361. NIKESH After that they left. Freddy and Liv.
362. NINA Freddy sounded pretty pissed off.
363. NIKESH Never easy to hear unwelcome news. God, it’s good to be back in bed with you.
364. NINA Hallelujah to that.
365. NIKESH What a week.
366. NINA With a happy ending I think
367. NIKESH You think?.
368. NINA I had some good news, some very good news today from work.
369. NIKESH Don’t tell me your patients are going back to being sick again?
370. NINA They will be soon.
371. NIKESH Hurray?
372. NINA Speaking of news – did you see it? The riot on the Great West Road around that thing they built.
SFX NIKESH FLASHBACK SUDDEN BURST OF THE RIOT AND SIRENS
373. NIKESH Certain people take protecting these strange structures very very seriously. My brother amongst them.
374. NINA Haroun was there?
375. NIKESH Along with formula one racing driver and all round conspiracy theorist Xavi Anderson who kindly informed me that those who built those structures were Lonely No More.
376. NINA (QUIET) Right. Right.
377. NIKESH Kiss me please.
THEY KISS
378. NINA That’s very nice.
379. NIKESH So am I still going to be kept under surveillance
380. NINA I shouldn’t think so.
381. NIKESH Because whatever the mysterious threat level was?
382. NINA Is now a lot less than it was.
383. NIKESH As in gone?
384. NINA As in very much under control.
385. NIKESH So there’s no threat whatever the threat actually was?
386. NINA All very much under control.
387. NIKESH For real?
388. NINA For real. Now, where’s my cuddle?
THEY BOTH SNUGGLE DOWN
389. NIKESH You think we’re going to have everything ready for next week.
390. NINA Spoke to the wedding organiser this morning. The hotel’s ironed out the issues with the caterers and your mate Sam Butler’s confirmed he’ll DJ.
391. NIKESH There’s the boy.
392. NINA But I don’t want him playing records nobody knows and can’t dance to.
393. NIKESH He knows that.
394. NINA Hm.
395. NIKESH He does.
396. NINA Liv said she’d keep an eye on your dad.
397. NIKESH Who I’m going to meet at the airport next week.
398. NINA Which is just extraordinary.
399. NIKESH Which is just extraordinary.
SFX NIKESH GETS A NEWS IDENTIFICATION ON HIS PHONE AND HE REACHES OVER FOR IT
400. NINA That the news?
401. NIKESH Er, yeh, it is. Wait. Oh my God.
402. NINA What?
403. NIKESH Look.
NIKESH SHOWS NINA THE PHONE
404. NINA That’s gotta be a mistake.
405. NIKESH Read it. Says the space station crew just detonated the air lock and walked right out into space. No suits. No helmets.
406. NINA All seven of them?
407. NIKESH All seven of them. And the last message they sent back to earth was –
408. NINA Lonely No More.
409. NIKESH Lonely No More.